Thursday, November 06, 2008

Tuesday, November 04, 2008

Review: RocknRolla (2008)


Guy Ritchie does one thing and does it well: The British Gangster flick. The setup is the same as we've seen it in Lock, Stock and Two Smoking Barrels, and Snatch. Several storylines overlapping without the characters knowing they're connected, usually involving drug dealers, junkies, mob bosses, etc... Even though I've seen it before, twice, there's still no reason not to like it.

The characters are cheeky and clever, the dialogue is fast and witty, and the film work is sensational. Say what you will about Guy Ritchie's ability to tell stories, the man knows how to make films.

Even though the film is thoroughly enjoyable, it is, however, forgettable. It has its moments of the classic Guy Ritchie wit, but if you skip it, you're not missing out on much. You'd do better to sit back with Lock Stock and Snatch for now, and save this one for Netflix.

Grade: B-

Review: W. (2008)


My awesome sister wrote this, and she's better at writing reviews than I am: (And I agree %100 with what she says)

Stated simply, it’s hard to figure out what this movie is. Is it a comedic slam of George W. Bush, or is it a sincere chronicle of his life ? I’ll tell you, after 2 hours, I’m still not sure.

Let me break it down for you. The way Oliver Stone made this movie evokes two very different interpretations: He either sought to paint W. as a divine tragedy (cue scenes with soft piano over hard times in Bush‘s life), or a great mockery, bringing some classic “Bushisms” back into the picture. But one can never really be sure what gets accomplished here.

On one hand, the scenes of Bush’s young life are done quite well. Josh Brolin steps into the Commander in Chief’s shoes with ease. Brolin’s portrayal of the early, rowdy, alcoholic Bush, who holds a slew of odd jobs, courts trashy women, and is heading down the "wasting your life" type of path, are ironically serious, boasting the possibility that if you just polish this up enough, this might have Oscar written all over it.

On the other hand, scenes of the later years, showing Bush in office, make him look, for lack of a better word: Stupid. There’s no other way to describe the movie at these points. The script is really hammed up with silly “Bushisms,” and they make him seem trivial, and completely overpowered by Dick Cheney (Richard Dreyfuss).

But what does W. ultimately become? A hodge podge of Bush here in ‘77, and then Bush there in ‘02, and then in ’86, and in ’04, and ’02 all over again. Back and forth, and back and forth, and you get the picture. There are so many good ideas here that are undeveloped, and are completely not cohesive, that you kind of wonder why not just put this one back in the oven? And maybe just make the whole thing in chronological order. Clearly this could be a great movie, but not now.

Which brings up another question: Why now? Why produce this movie at the very end of Bush’s presidency? Is it to remind people that he’s still president? Could be. I for one, keep forgetting that he exists amidst this heated political season. Or could it be that Oliver Stone just really wanted to make a movie about Bush, and refused to wait? Or maybe, we’re supposed to enjoy it more because it’s so recent. Whatever the reason was, this is just does not seem like the time.

At the end of the day, Josh Brolin is W.’s only ace. The rest of the movie is so-so. Elizabeth Banks as Laura Bush meets expectations, and James Cromwell and Ellen Burstyn as Mama and Papa Bush, are pretty good. However, W. may have relied too much on big names to fill small roles: Thandie Newton as Condoleezza Rice, Ioan Gruffudd as Tony Blair, Noah Wyle as Don Evans, and I’m still not really sure who Colin Hanks is supposed to be playing. Still more evidence of a diamond in the rough.

My advice to you is to not see this movie if you sincerely love George W. Bush. Conversely, if you hate him, be forewarned that you might find yourself respecting him at times. It’s an extremely slippery slope, but regardless, it’s an interesting movie, even if it’s a few cards short of a deck. It’s probably a good idea to put this one on your radar. If nothing else, you’ll get some laughs.


Grade: B-
Her Blog

Review: Let the Right One In (2008)


Somewhere, in a remote corner of Sweden where IKEA doesn't exist, there is a small town with an unnatural, horrific problem.

This film, from director Tomas Alfredson, tells the story of two young outsiders, Oskar and Eli, who find each other and become friends. The only thing is, she's a vampire. She lives with her father in a apartment where the windows have been covered and he goes out at night to harvest blood. Ew.

Cinematically, this film is gorgeous. There are lots of pretty shots that illustrate the cold and isolated feeling of the area.

Unlike other Vampire films that I've seen (which, I'll admit, are not many), this really focuses more on the relationship between Oskar and Eli. They live next door to each other and communicate with Morse code. We see these two in many aspects of their every day life. Notably Oskar being picked on at school, spending time with his father and mother separately. We see Eli at night only, and how she obtains her feast.

If you're looking for a movie to scare you, this won't quite do the trick. There are a few frightening moments, but it's more about the relationships. A very stunning movie. A must see.

Grade: A

Monday, November 03, 2008

Random News: Joaquin Phoenix is done for reals.


From Yahoo:

LOS ANGELES – The writing on Joaquin Phoenix's fists said it all.

The words "Good Bye" were penned on the actor's knuckles at a premiere Saturday night for his latest film, "Two Lovers," and Phoenix confirmed a surprise announcement he made last week: He's giving up movies.

"I think it's just moving on. It's rediscovering something else," said Phoenix, 34, said in an interview with Associated Press Television News before Saturday's American Film Institute festival, which also premiered "Che," starring Benicio Del Toro.

"Two Lovers" is his last film, he said. His publicist had disclosed Friday that the actor intended to focus on music.
Phoenix first mentioned his decision to "Extra" early last week at a fundraiser in San Francisco. He abruptly ended that interview after the reporter wondered whether he was joking about giving up acting for music.

Phoenix learned to play guitar and did his own singing to play country legend Johnny Cash in "Walk the Line," which earned him an Academy Award nomination. His publicist also said Phoenix has been directing music videos in recent years.

"It's like greener pastures, you know what I mean?" Phoenix said Saturday. "And so, I'm just going to try and like, I'll just be doing the other thing. ... Hopefully, I will emotionally impact you with that, as well."

Trailers: The Reader (2008)